2016年10月13日 星期四

10/13 Western Literature Week 5

Epic poetry:
An epic poem, epic (from Latin epicus, from the Ancient Greek adjective ἐπικός, epikos, from ἔπος, epos,[1] "word, story, poem"[2]), epos (from Latin epos, from Greek ἔπος, epos[3]), or epopee (from French épopée, from neo-Latin epopoeia, from Ancient Greek ἐποποιία, epopoiia)[4] is a lengthy narrative poem, ordinarily concerning a serious subject containing details of heroic deeds and events significant to a culture or nation.[5] Milman Parry and Albert Lord have argued that the Homeric epics, the earliest works of Western literature, were fundamentally an oral poetic form. These works form the basis of the epic genre in Western literature. Nearly all Western epic (including Virgil's Aeneid and Dante's Divine Comedy) self-consciously presents itself as a continuation of the tradition begun by these poems. Classical epic employs dactylic hexameter and recounts a journey, either physical (as typified by Odysseus in the Odyssey) or mental (as typified by Achilles in the Iliad) or both. Epics also tend to highlight cultural norms and to define or call into question cultural values, particularly as they pertain to heroism.


Another type of epic poetry is epyllion (plural: epyllia), which is a brief narrative poem with a romantic or mythological theme. The term, which means "little epic", came into use in the nineteenth century. It refers primarily to the erudite, shorter hexameter poems of the Hellenistic period and the similar works composed at Rome from the age of the neoterics; to a lesser degree, the term includes some poems of the English Renaissance, particularly those influenced by Ovid.[citation needed]The most famous example of classical epyllion is perhaps Catullus 64.

Some of the most famous examples of epic poetry include the Ancient Greek Iliad and Odyssey, Virgil's Aeneid, the ancient Indian Ramayana and Mahabharata, Dante's Divine Comedy, the Portuguese Lusiads, and John Milton's Paradise Lost.
Tablet containing a fragment of the Epic of Gilgamesh




Muse:
The Muses are the inspirational goddesses of literature, science, and the arts in Greek mythology. They were considered the source of the knowledge embodied in the poetry, lyric songs, and myths that were related orally for centuries in these ancient cultures. They were later adopted by the Romans as a part of their pantheon.
In current English usage, "muse" can refer in general to a person who inspires an artist, writer, or musician.
Muse reading a scroll, perhaps Clio (Attic red-figure lekythos, Boeotia, c. 430 BC)




The Odyssey:
(/ˈɒdəsi/;[1] Greek: Ὀδύσσεια Odýsseia, pronounced [o.dýs.sej.ja] in Classical Attic) is one of two major ancient Greek epic poems attributed to Homer. It is, in part, a sequel to the Iliad, the other work ascribed to Homer. The Odyssey is fundamental to the modern Western canon, and is the second-oldest extant work of Western literature; the Iliad is the oldest. Scholars believe the Odyssey was composed near the end of the 8th century BC, somewhere in Ionia, the Greek coastal region of Anatolia.[2]
The poem mainly focuses on the Greek hero Odysseus (known as Ulysses in Roman myths), king of Ithaca, and his journey home after the fall of Troy. It takes Odysseus ten years to reach Ithaca after the ten-year Trojan War.[3] In his absence, it is assumed Odysseus has died, and his wife Penelope and son Telemachus must deal with a group of unruly suitors, the Mnesteres (Greek: Μνηστῆρες) or Proci, who compete for Penelope's hand in marriage.
Odysseus Overcome by Demodocus' Song, by Francesco Hayez, 1813–15



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