11/17 Western Literature Week 10

Tragedy:

(from the Greek: τραγῳδία, tragōidia^[a])  is a form of drama based on human suffering that invokes an accompanying catharsis or pleasure in audiences.^[2][3] While many cultures have developed forms that provoke this paradoxical response, the term tragedy often refers to a specific tradition of drama that has played a unique and important role historically in the self-definition of Western civilisation.^[2][4] That tradition has been multiple and discontinuous, yet the term has often been used to invoke a powerful effect of cultural identity and historical continuity—"the Greeks and the Elizabethans, in one cultural form; Hellenes and Christians, in a common activity," as Raymond Williams puts it.

11/10 Western Literature Week 9

Midterm

11/3 Western Literature Week 8

In Greco-Roman mythology, Aeneas:

(/ᵻˈniːəs/;^[1] Greek: Αἰνείας, Aineías, possibly derived from Greek αἰνή meaning "praised") was a Trojan hero, the son of the prince Anchises and the goddess Venus (Aphrodite). His father was a first cousin of King Priam of Troy (both being grandsons of Ilus, founder of Troy), making Aeneas a second cousin to Priam's children (such as Hector and Paris). He is a character in Greek mythology and is mentioned in Homer's Iliad. Aeneas receives full treatment in Roman mythology, most extensively in Virgil's Aeneid, where he is an ancestor of Romulus and Remus. He became the first true hero of Rome. Snorri Sturlason identifies him with the Norse Æsir Vidarr.

10/27 Western Literature Week 7

The Aeneid:

(/ᵻˈniːɪd/; Latin: Aeneis [ae̯ˈneːɪs]) is a Latin epic poem, written by Virgil between 29 and 19 BC,^[1]that tells the legendary story of Aeneas, a Trojan who travelled to Italy, where he became the ancestor of the Romans. It comprises 9,896 lines in dactylic hexameter.^[2] The first six of the poem's twelve books tell the story of Aeneas's wanderings from Troy to Italy, and the poem's second half tells of the Trojans' ultimately victorious war upon the Latins, under whose name Aeneas and his Trojan followers are destined to be subsumed.

10/20 Western Literature Week 6

In Homer's Odyssey, Penelope:

(/pəˈnɛləpiː/ pə-nel-ə-pee; Greek: Πηνελόπεια, Pēnelópeia, or Πηνελόπη, Pēnelópē) is the wife of Odysseus, who is known for her faithfulness to Odysseus while he is absent, despite having many suitors.

10/13 Western Literature Week 5

Epic poetry:

An epic poem, epic (from Latin epicus, from the Ancient Greek adjective ἐπικός, epikos, from ἔπος, epos,^[1] "word, story, poem"^[2]), epos (from Latin epos, from Greek ἔπος, epos^[3]), or epopee (from French épopée, from neo-Latin epopoeia, from Ancient Greek ἐποποιία, epopoiia)^[4] is a lengthy narrative poem, ordinarily concerning a serious subject containing details of heroic deeds and events significant to a culture or nation.^[5] Milman Parry and Albert Lord have argued that the Homeric epics, the earliest works of Western literature, were fundamentally an oral poetic form. These works form the basis of the epic genre in Western literature. Nearly all Western epic (including Virgil's Aeneid and Dante's Divine Comedy) self-consciously presents itself as a continuation of the tradition begun by these poems. Classical epic employs dactylic hexameter and recounts a journey, either physical (as typified by Odysseus in the Odyssey) or mental (as typified by Achilles in the Iliad) or both. Epics also tend to highlight cultural norms and to define or call into question cultural values, particularly as they pertain to heroism.

10/6 Western Literature Week 4

Achilles' heel:

is a weakness in spite of overall strength, which can actually or potentially lead to downfall. While the mythological origin refers to a physical vulnerability, idiomatic references to other attributes or qualities that can lead to downfall are common.